El viejo blog del Morsa

"esteeeee, señor moore... ¿me firma mi watchmen babies en v de vacaciones?"

el capítulo de esta semana de los simpsons (en estados unidos), husbands and knives, fue uno de los más divertidos que creo haber visto jamás. no solamente porque era buen guión y aparecían invitados alan moore (autor de watchmen, v for vendetta, from hell, league of extraordinary gentlemen, the killing joke, etc., etc., etc.), art spiegelman (autor de maus y eso sería más que suficiente carta de presentación) y daniel clowes (autor de art school confidential y ghost world); era genial por la cantidad de referencias a millones y millones de comics.


de izquierda a derecha: clowes, spiegelman y moore.

ah, jack black también participó (como vendedor de comics).

:)

felicidades.

perútags: the-simpsons serie television s19e07 temporada-19 episodio-07 comics alan-moore art-spiegelman daniel-clowes watchmen v-for-vendetta lost-girls ghost-world art-school-confidential maus nazis jack-black spoiler

(solo si eres un friki de los comics entenderás este post

sino, será chino mandarín)


(fuente: wizard universe. hacer click aquí para ver imagen completa)

varias cosas:

1. el dark knight de frank miller ya está considerado dentro del canon y vive en uno de los 52 multiversos.
2. rorschach de watchmen vive también en otro de los 52 multiversos.
3. soy feliz.

más sobre comics:
- ¿qué son los multiversos?
- el regreso del fondista escarlata
- es el fin del mundo dc (y me siento bien)
- la crisis final
- el futuro del universo dc

perútags: batman dark-knight-returns frank-miller movie pelicula rorschach watchmen alan-moore dc-comics multiversos final-crisis

vía wizard universe

tenemos por fin una primera imagen de la próxima película de zach snyder (dawn of the dead, 300). rorschach cogiendo la placa de the comedian.

wizard universe hace una entrevista a zach snyder, quien confirmó la escena como "real", y que se trataría de su asistente:

Wizard can confirm that the image is indeed legit and is, in fact, the same early image that Snyder showed to Wizard when we first spoke to him about Watchmen.

“Rorschach is awesome,” said Snyder. “He's the man. He's too violent and so therefore people will see him and be like, 'Gosh, that's not the answer. That way is wrong.' But he's so cool that it's like ‘Apocalypse Now.’ You look at that movie now and you think, ‘Wow, this is a poem about anti-war and all of that.’ But then you watch the movie and you're like, ‘Wow, that's awesome.’ It's that fine line.

“I'm just saying, 'What does that mean? What's the implication of that? How is that different from the way the other filmmakers were approaching "Watchmen?"' Snyder asked rhetorically as he showed off the image of his assistant dressed as Rorschach, which he shot as an early test for the flick. “I can tell you right now, and I don't know [what other directors planned to do with ‘Watchmen’], but I don't think his intentions were to take the frames from the book and kind of try and figure out the cinematic version of them. I find that kind of interesting and exciting.”